Barcelona at this time a hub for artists and writers seeking refuge in neutral Spain during the First World War, and the city experienced a great cultural flourishing as a result. Luckily, the artist was able to fit his painting around his duties as a soldier, taking over a small room in his family home on the Pasaje del Crédito in which to work, as well as a modest studio on the Carrer Sant Pere which he shared with his close friend Enric Cristòfol Ricart. Upon finishing his preliminary artistic training at the Galí Escola d’Art in 1914, Miró set out to become a professional painter, though he found himself stalled in these efforts by his obligatory military service. In its powerful combination of angular forms, unusual treatment of space, and vivid color palette, the composition draws variously on the stylistic influences of Expressionism, Cubism, and Fauvism, illustrating the myriad of artistic inspirations that were shaping Miró’s painterly vocabulary at this time. ![]() Painted during the winter of 1916-19, when the artist was just 23 years old, this vivid composition centers on a complex configuration of traditional still-life elements-a vase filled with fresh blooms, a bowl of fruit, and a folded newspaper-set against the richly colored, highly ornate pattern of a piece of Majorcan fabric, masquerading as a tablecloth. ![]() 28 (illustrated in color).īlending passionate, expressive brushwork with bold, effusive color, Joan Miró’s “La Publicatat” et le vase de fleurs is a testament to not only the young artist’s adventurous modernist spirit during the earliest stages of his career, but also the growing strength and confidence with which he deployed his unique artistic vision. Lelong-Mainaud, Joan Miró: Catalogue Raisonné. 53 titled La Publicidad and the Flowers Vase and dated 1916 with incorrect medium). Umland, "Joan Miró's Collage of Summer 1929: 'La Peinture au défi?'" in Essays on Assemblage, New York, 1992, p. Combalía, El descubrimiento de Miró: Miró y sus cr í ticos, 1918-1929, Barcelona, 1990, p. Lubar, Joan Miró Before "The Farm," 1915-1922: Catalan Nationalism and the Avant-Garde, Ann Arbor, 1988, pp. 503 titled La Publicidad and Flower Vase with incorrect cataloguing). Dupin, Joan Miró: Life and Work, New York, 1962, pp. Peace is our prayer as we remember what was and face what is now with God, our Rock and our Redeemer. Even the familiar can seem rearranged and changed as we long for a place to rest our eyes and hearts in peace. We see both a visual reality and departures from a remembered reality as we make our way now. The two views in one theme of this painting seems emblematic of our times. It is now in the National Gallery of Art in Washington, D.C. ![]() This work was once owned by Ernest Hemingway. And here we also see an unusual view beyond the everyday as those details are arranged and simplified in the geometric abstraction of Cubism. Here we see the many details of his life on this farm, his visual reality. The colors are stunning and this work is a feast for the eyes. He painted in the Abstract Expressionism and Surrealism styles. Joan Miro (1893-1983) was a Spanish artist.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |