Usually the hours of masking don't turn out to really give MORE to the image. Even the piercing blue eyes can overwhelm an image. The colorful beach ball takes away from the beachy fun happening on vacation. The bright blue shirt takes away from the beautiful gaze. But the problem is that it usually brings you right out of the image and shifts the focus away from the image to something that is only part of the image. Let's look at a few things you can avoid to help you keep your editing expressing YOU.ġ) Selective Color-I know. It can be absolutely enchanting to watch your vision come alive as you edit, but sometimes as we first start out (and even as we have been doing this awhile), the photo can pass the magically perfect stage and start to veer into over-edited, fake-looking, or just plain wrong. It takes an image that already has your fingerprints all over it, from lens choice, to angles, to lighting, and it gives it that final dusting of you. ) We are only posting about them, because we use and love their producuts!Įditing photos is magical. In fact, I am sure most of them don't even know who we are. NONE of these companies have asked us to write about the or post about their products. We ONLY recommend products we use and love. At no additional cost to you, if you purchase something from that link, we get a small commission. * means that the link is an affiliate link. If you are a pro this is a critical part of behaving as such. Think through all the variables and then back-up accordingly. Account for data loss via image corruption, theft, flood, fire, etc. If you don't adopt this system, that's ok. While our system might seem a little extreme, it is a very secure system. Some might just be RAWs, but that would be fine by me if it came down to it. So, at any given time there can be 5 or 6 copies of an image out there, in case something happens. We have a very large amount of cards, due to weddings, travel, etc., so usually those cards don't come back around for a few months, plenty of time for the session to be edited and delivered to the client. They are not reformatted until right before their next use. So the cards that I just shot the wedding on go to the back of the pile. So our client can easily access the files, and we could too, in a pinch.Īnd finally, I rotate my cards. When we deliver the files to our clients, we use Pixieset and that creates a forever back up in the cloud. I keep BackBlaze for things like a fire or flood, but it takes awhile to get large amounts of backed up data from them, so to quickly have my entire system back up and running almost immediately with the Drobo. I've had hard drives act up and while I DO have them backed up to BackBlaze, I can easily grab my files off of my Drobo. It's pretty sweet and is very easy to use. Also, if I start to run out of storage on my Drobo, I can keep getting bigger hard drives and swap them out without losing any data. If one is close to failing, it lets me know. It also monitors the health of my drives. My Drobo has 5 hard drives and creates multiple copies of my files and stores them. When I have my edits done, I will take the finished edits and the RAW files and copy those to my Drobo. I will then import my images into Lightroom the next morning and start the editing process. It backs up my external drives which is a major reason that I chose BackBlaze. Usually, it is late and I am tired, so from here I will trigger a back up with my BackBlaze online back up plan. I then duplicate the RAW images to a second external drive. I (Rachel) immediately download to an external drive. So, once we get home from the shoot, we remove one of those cards and download images. Before, when we just had the Mark II, there was always a lot more worry about a corrupt card or lost or stolen card. I could leave a large 32 GB SD card in the camera and shoot away, knowing that I would have two copies of every image from the get go. It meant that I could be backed up during a session, while I shot, assuming my camera was not stolen from me. To start, I have chosen to shoot the Canon 5D Mark III camera, because the ability of that camera to write images to two cards simultaneously was a HUGE breakthrough. I will start with the shoot and through delivery of images. But I am going to outline my own personal system. I will preface this post by saying that there are probably as many back up systems as there are photographers out there. So backing up and closing up holes in your data management system is critical to you, as a professional. It is said that if you don't have your data in at least two places, it doesn't exist. It is one of the areas you are most vulnerable. Without being too over dramatic, protecting your images is one of the most critical parts of your job.
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